{"id":10936,"date":"2017-08-31T11:27:01","date_gmt":"2017-08-31T09:27:01","guid":{"rendered":"https:\/\/samiskbibliotektjeneste.wordpress.com\/?p=10936"},"modified":"2017-08-31T11:27:01","modified_gmt":"2017-08-31T09:27:01","slug":"sami-art-and-aesthetics-contemporary-perspectives","status":"publish","type":"post","link":"https:\/\/backup.gnist.dev\/sambib\/2017\/08\/31\/sami-art-and-aesthetics-contemporary-perspectives\/","title":{"rendered":"S\u00e1mi Art and Aesthetics &#8211; Contemporary Perspectives"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"  wp-image-10937 alignleft\" src=\"https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2017\/08\/sami-art.jpg?resize=261%2C322\" alt=\"sami-art\" width=\"261\" height=\"322\" srcset=\"https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2017\/08\/sami-art.jpg?w=360&amp;ssl=1 360w, https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2017\/08\/sami-art.jpg?resize=243%2C300&amp;ssl=1 243w\" sizes=\"auto, (max-width: 261px) 100vw, 261px\" \/>I l\u00f8pet av de siste fem ti\u00e5rene har vi sett en \u00f8kning i aktiviteten til kunstnere som ser p\u00e5 seg selv som samiske. Samtidig har har samisk kunst og duodji blitt organisert og institusjonalisert, ikke minst takket v\u00e6re de samiske kunstnerne selv. Boka har denne utviklinga som tema og plasserer dem i en historisk og n\u00e5tidig sammenheng for et internasjonalt publikum. Tekstene er p\u00e5 engelsk.<br \/>\nSvein Aamold, Elin Haugdal og Ulla Angkj\u00e6r J\u00f8rgensen er redakt\u00f8rer. Blant bidragyterne er Harald Gaski, Irene Snarby, Ingeborg H\u00f8vik, Gunvor Guttorm, Geir Tore Holm og Tuija Hautala-Hirvioja. \u00a0Noen av kunstnerne som blir presentert er Johan Turi, Iver J\u00e5ks, Outi Pieski, Folke Fjellstr\u00f6m, Katarina Pirak Sikku, Geir Tore Holm, Gjert Rognli, Kristin T\u00e5\u00e5rnesvik og Silje Figenschou Thoresen. Tekst p\u00e5 engelsk<br \/>\nDuring the last five decades we have witnessed an increase in activity among artists identifying themselves as S\u00e1mi, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional S\u00e1mi art and craft) have been organized and institutionalized, not least by the S\u00e1mi artists themselves. S\u00e1mi Art and Aesthetics discusses and highlights these developments and places them in historical and contemporary contexts for an international audience.<br \/>\nISBN 978-87-7184-252-4. <a href=\"https:\/\/en.unipress.dk\/udgivelser\/s\/s\u00e1mi-art-and-aesthetics\/\">Aarhus Universitetsforlag<\/a>, 2017. 347 s. Innb. 358.- (kan kj\u00f8pes gjennom <a href=\"http:\/\/www.bibsent.no\/B\u00f8ker-medier.aspx?GroupID=GROUP67&amp;ProductID=9788771842524\">Biblioteksentralen<\/a> og\u00a0<a href=\"https:\/\/www.adlibris.com\/no\/bok\/sami-art-and-aesthetics-9788771842524\">Adlibris<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I l\u00f8pet av de siste fem ti\u00e5rene har vi sett en \u00f8kning i aktiviteten til kunstnere som ser p\u00e5 seg selv som samiske. Samtidig har har samisk kunst og duodji blitt organisert og institusjonalisert, ikke minst takket v\u00e6re de samiske kunstnerne selv. Boka har denne utviklinga som tema og plasserer dem i en historisk og &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/backup.gnist.dev\/sambib\/2017\/08\/31\/sami-art-and-aesthetics-contemporary-perspectives\/\" class=\"more-link\">Fortsett \u00e5 lese<span class=\"screen-reader-text\"> \u00abS\u00e1mi Art and Aesthetics &#8211; Contemporary Perspectives\u00bb<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,17],"tags":[130,324,325],"class_list":["post-10936","post","type-post","status-publish","format-standard","hentry","category-fagbkerfagagirjjit","category-sakprosa","tag-engelsk","tag-kunst","tag-kunstnere"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paButM-2Qo","_links":{"self":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts\/10936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/comments?post=10936"}],"version-history":[{"count":0,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts\/10936\/revisions"}],"wp:attachment":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/media?parent=10936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/categories?post=10936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/tags?post=10936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}