{"id":14385,"date":"2020-04-07T15:28:28","date_gmt":"2020-04-07T13:28:28","guid":{"rendered":"http:\/\/backup.gnist.dev\/sambib\/?p=14385"},"modified":"2022-04-06T16:31:56","modified_gmt":"2022-04-06T14:31:56","slug":"eeva-kristiina-harlin-outi-pieski-ladjogahpir-mattarahkuid-gabagahpir-the-ladjogahpir-the-foremothers-hat-of-pride","status":"publish","type":"post","link":"https:\/\/backup.gnist.dev\/sambib\/2020\/04\/07\/eeva-kristiina-harlin-outi-pieski-ladjogahpir-mattarahkuid-gabagahpir-the-ladjogahpir-the-foremothers-hat-of-pride\/","title":{"rendered":"Eeva-Kristiina Harlin &#038; Outi Pieski: L\u00e1djogahpir \u2013 M\u00e1ttar\u00e1hkuid g\u00e1bagahpir\/The L\u00e1djogahpir \u2013 The Foremothers` Hat of Pride"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14386 alignleft\" src=\"https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2020\/04\/ladjogahpir-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2020\/04\/ladjogahpir.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2020\/04\/ladjogahpir.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2020\/04\/ladjogahpir.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2020\/04\/ladjogahpir.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/backup.gnist.dev\/sambib\/wp-content\/uploads\/2020\/04\/ladjogahpir.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Boka er laget til utstillingen <a href=\"https:\/\/samidaiddaguovddas.no\/rematriation-of-a-ladjogahpir-return-to-mattarahkka\/\">Rematriation of a L\u00e1djogahpir \u2013 Return to M\u00e1ttar\u00e1hkk\u00e1<\/a>. Den er del av et kunst- og forskningsprosjekt\u00a0 hvor kunstneren <a href=\"http:\/\/www.outipieski.com\/\">Outi Pieski<\/a> og den finske forskeren <a href=\"https:\/\/www.oulu.fi\/giellagasinstitute\/node\/31748\">Eeva-Kristiina Harlin<\/a> samarbeider om \u00e5 formidle historien til den samiske kvinnehodeplagget l\u00e1djogahpir &#8211; eller <a href=\"https:\/\/no.wikipedia.org\/wiki\/Hornlue\">hornlua<\/a> som den heter p\u00e5 norsk.<\/p>\n<p>Den grasi\u00f8se, majestetiske og i\u00f8yefallende hornlua ble brukt av samiske kvinner frem til slutten av 1800-tallet i det omr\u00e5det av S\u00e1pmi som i dag er Nord-Norge og Finland. Pietistiske <a href=\"https:\/\/no.wikipedia.org\/wiki\/L%C3%A6stadianerne\">l\u00e6stadianere<\/a> ford\u00f8mte denne &laquo;un\u00f8dig&raquo; pyntede kvinnelua med sitt &laquo;djevelske horn\u00bb. Lua ble <sup id=\"cite_ref-SNL_samedrakt_1-2\" class=\"reference\"><\/sup>forbudt, glemt og forsvant ut av bruk p\u00e5 slutten av 1800 og 1900-tallet.\u00a0 Den ble revitalisert og tatt i bruk igjen p\u00e5 2000-tallet.\u00a0 Boka forteller historien til l\u00e1djogahpir i fortid, n\u00e5tid og fremtid; formidlet gjennom tekster, kunstverk, fotografier og andre bilder.<\/p>\n<p>Tekst p\u00e5 nordsamisk og engelsk.<\/p>\n<p>S\u00e1mi nissoniid bivnnut ja c\u030calbm\u00e1ic\u030cuohcci gahpir 1700- ja 1800-loguin; gildojuvvon, vaj\u00e1ldahttojuv- von ja j\u00e1vkan 1800- ja 1900-loguin; eal\u00e1skahttojuv- von ja f\u00e1muid alde 2000-logus. D\u00e1t lea l\u00e1djogahpira muitalus, dan historj\u00e1, dan m\u00e1\u014bga eallima\u2014dolo\u0161 \u00e1iggi, d\u00e1l\u00e1 \u00e1iggi ja boahtte \u00e1iggi; muitaluvvon teavst- tain, d\u00e1iddabargguin, foto- ja ear\u00e1 govain.<\/p>\n<p>A popular and arresting S\u00e1mi women\u2019s hat in the 18th and 19th centuries; forbidden, forgotten and disappeared in the 19th and 20th centuries, revived and revitalised in the 21st: Here is the story of the l\u00e1djo- gahpir, its history, its many lives\u2014past, present, and future; told in texts, art works, photographs, and other images.<\/p>\n<p>ISBN: 978-82-329-0171-5. <a href=\"https:\/\/shop.davvi.no\/faglitteratur\/kultur-og-historie-fag\/product-406.html\">Davvi girji<\/a>, 2020. 150 s. Innb. 325.- (kan bestilles gjennom\u00a0 <a href=\"https:\/\/www.gavpi.org\/voksne\/1051-ladjogahpir-mattarahkuid-gabagahpir.html\">gavpi,<\/a> <a href=\"https:\/\/www.adlibris.com\/no\/bok\/ladjogahpir---mattarahkuid-gabagahpir-9788232901715\">adlibris<\/a> og <a href=\"https:\/\/www.bibsent.no\/ladjogahpir-mattarahkuid-gabagahpir-the-foremothers-hat-of-pride-9788232901715\">Biblioteksentralen<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Boka er laget til utstillingen Rematriation of a L\u00e1djogahpir \u2013 Return to M\u00e1ttar\u00e1hkk\u00e1. Den er del av et kunst- og forskningsprosjekt\u00a0 hvor kunstneren Outi Pieski og den finske forskeren Eeva-Kristiina Harlin samarbeider om \u00e5 formidle historien til den samiske kvinnehodeplagget l\u00e1djogahpir &#8211; eller hornlua som den heter p\u00e5 norsk. Den grasi\u00f8se, majestetiske og i\u00f8yefallende hornlua &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/backup.gnist.dev\/sambib\/2020\/04\/07\/eeva-kristiina-harlin-outi-pieski-ladjogahpir-mattarahkuid-gabagahpir-the-ladjogahpir-the-foremothers-hat-of-pride\/\" class=\"more-link\">Fortsett \u00e5 lese<span class=\"screen-reader-text\"> \u00abEeva-Kristiina Harlin &#038; Outi Pieski: L\u00e1djogahpir \u2013 M\u00e1ttar\u00e1hkuid g\u00e1bagahpir\/The L\u00e1djogahpir \u2013 The Foremothers` Hat of Pride\u00bb<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,17],"tags":[119,130,183,246,802,298,316,318,432],"class_list":["post-14385","post","type-post","status-publish","format-standard","hentry","category-fagbkerfagagirjjit","category-sakprosa","tag-duodji","tag-engelsk","tag-folklore","tag-historie","tag-hornlue","tag-klr","tag-kultur","tag-kulturhistorie","tag-nordsamisk"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paButM-3K1","_links":{"self":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts\/14385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/comments?post=14385"}],"version-history":[{"count":6,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts\/14385\/revisions"}],"predecessor-version":[{"id":14458,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts\/14385\/revisions\/14458"}],"wp:attachment":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/media?parent=14385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/categories?post=14385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/tags?post=14385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}