{"id":5692,"date":"2015-01-20T10:37:55","date_gmt":"2015-01-20T09:37:55","guid":{"rendered":"https:\/\/samiskbibliotektjeneste.wordpress.com\/?p=5692"},"modified":"2015-01-20T10:37:55","modified_gmt":"2015-01-20T09:37:55","slug":"thomas-hilder-sami-musical-performance-and-the-politics-of-indigeneity-in-northern-europe","status":"publish","type":"post","link":"https:\/\/backup.gnist.dev\/sambib\/2015\/01\/20\/thomas-hilder-sami-musical-performance-and-the-politics-of-indigeneity-in-northern-europe\/","title":{"rendered":"Thomas Hilder: S\u00e1mi Musical Performance and the Politics of Indigeneity in Northern Europe"},"content":{"rendered":"

\"sami<\/a>Samene er Europas eneste anerkjente urfolk\u00a0og har\u00a0g\u00e5tt gjennom\u00a0en historie med\u00a0kristning, \u00a0tap av landomr\u00e5der og kulturell assimilering. Siden\u00a0andre verdenskrig har de jobbet mot\u00a0politisk selvbestemmelse i de\u00a0nordiske landene, og v\u00e6rt med p\u00e5 \u00e5 skape et\u00a0globalt urfolkssamfunn.
\nSamtidig\u00a0med denne prosessen var fremveksten av den samiske musikkscenen, der gjenopplivingen av den distinkte og tidligere undertrykte vokale tradisjonen joik var sentral. Gjennom joik med instrumental akkompagnement, som inkluderer\u00a0joik inn i forskjellige former for popul\u00e6rmusikk, sceneopptredener og musikkinnspillinger, har samiske musikere spilt en n\u00f8kkelrolle i \u00e5 artikulere en samisk identitet, styrke samisk spr\u00e5k, og gjenopplive en naturbasert kosmologi. Thomas Hilder\u00a0har skrevet den f\u00f8rste lengre\u00a0studien av denne mangfoldige og dynamiske musikkscenen og dens krysning\u00a0med urfolkspolitikk.
\nThe Sami are Europe’s only recognized indigenous people living across regions of Norway, Sweden, Finland and the Russian Kola peninsula. The subjects of a history of Christianization, land dispossession, and cultural assimilation, the Sami have through their self-organization since World War II worked towards Sami political self-determination across the Nordic states and helped forge a global indigenous community.
\nAccompanying this process was the emergence of a Sami music scene, in which the revival of the distinct and formerly suppressed unaccompanied vocal tradition of joik was central. Through joiking with instrumental accompaniment, incorporating joik into forms of popular music, performing on stage and releasing recordings, Sami musicians have played a key role in articulating a Sami identity, strengthening Sami languages, and reviving a nature-based cosmology. Thomas Hilder offers the first book-length study of this diverse and dynamic music scene and its intersection with the politics of indigeneity.
\nISBN:\u00a0978-0-8108-8895-1. Rowman & Littlefield Education<\/a>, 2015. 243 s. Innb. 482.- (kan kj\u00f8pes gjennom adlibris.com<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"

Samene er Europas eneste anerkjente urfolk\u00a0og har\u00a0g\u00e5tt gjennom\u00a0en historie med\u00a0kristning, \u00a0tap av landomr\u00e5der og kulturell assimilering. Siden\u00a0andre verdenskrig har de jobbet mot\u00a0politisk selvbestemmelse i de\u00a0nordiske landene, og v\u00e6rt med p\u00e5 \u00e5 skape et\u00a0globalt urfolkssamfunn. Samtidig\u00a0med denne prosessen var fremveksten av den samiske musikkscenen, der gjenopplivingen av den distinkte og tidligere undertrykte vokale tradisjonen joik var … <\/p>\n

Fortsett \u00e5 lese \u00abThomas Hilder: S\u00e1mi Musical Performance and the Politics of Indigeneity in Northern Europe\u00bb<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,17],"tags":[130,181,387,394,653],"class_list":["post-5692","post","type-post","status-publish","format-standard","hentry","category-fagbkerfagagirjjit","category-sakprosa","tag-engelsk","tag-folkemusikk","tag-minoritetspolitikk","tag-musikk","tag-urfolk"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paButM-1tO","_links":{"self":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts\/5692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/comments?post=5692"}],"version-history":[{"count":0,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/posts\/5692\/revisions"}],"wp:attachment":[{"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/media?parent=5692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/categories?post=5692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/backup.gnist.dev\/sambib\/wp-json\/wp\/v2\/tags?post=5692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}